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A R T E

Alexandre-Denis Abel de Pujol, La colère d'Achille, 1810, Notre Dame (Indiana), Snite Museum of Art

VladoubidoOo - Own work

Angelika Kauffmann Selbstbildnis mit Büste der Minerva 1780

Angelica Kauffmann - http://www.kultur-online.net/?q=node/192&nlb=1Created: 1780

Apotheosis of Nelson

Pierre-Nicolas Legrand de Lérant - The National Maritime Museum

Created: circa 1805-1818

Athena appearing to Odysseus to reveal the Island of Ithaca by Giuseppe Bottani

Giuseppe Bottani - Sotheby's Lot.153

Athena punishes Daedalus

Livioandronico2013 - Own work

Azulejos in Nogueira da Silva Museum, Braga, Portugal

.Joseolgon - Own work

Bartholomeus Spranger - Hermes and Athena - WGA21691

Bartholomeus Spranger - Web Gallery of Art: Image Info about artwork Created: 1585

Bartholomäus Spranger - Kunsthistorisches Museum Wien, Bilddatenbank.

Beydeman Gomeopatiya vzir

Alexander Beydeman - Created: 1857

Constantin Hansen - Athene followed by Nike Disputing with Poseidon for Possession of Attica - KMS4063 - Statens Museum for Kunst

Constantin Hansen - http://collection.smk.dk/#/en/detail/KMS4063 Created: 1850

Constantin Hansen - Prometheus Moulding Man from Clay - KMS3665 - Statens Museum for Kunst
Created: 1845

Constantin Hansen - The Birth of Pallas Athene - KMS4062 - Statens Museum for Kunst

Constantin Hansen - http://collection.smk.dk/#/en/detail/KMS4062
Created: 1850

DeathOfAchilles Rumpf ChalkidischeVasen colorized in the manner of the inscriptions painterAjax (Aias) fights Glaukos over the dead body of Achilles, while Paris and Aeneas look on. Helping Ajax is Athena with a snaky aegis. A Chalcidian Amphora from 540-530 BCE, formerly in the Pembroke-Hope Collection in Deepdene, England, now lost. Drawing is based on A. Rumpf, Chalkidische Vasen (Berlin/Leipzig 1927), pl. 12. The source of the original image is a drawing based on a lost Greek Vase from 540 BCE. A. Rumpf, Chalkidische Vasen (Berlin/Leipzig 1927), pl. 12 The vase was formerly in the Pembroke-Hope collection in Deepdene, England. See LIMC (Lexicon Iconographicum Mythologiae Classicae) “Achilleus” no. 850. See Kemp-Lindemann 220. (J. D.BEAZLEY ATTESTED LONG AGO THAT ONCE THIS AMPHORA WAS PEMBROKE, BUT NEVER HOPE!! -- M. Iozzo). The original image of the black and white drawing was uploaded and released to the public domain to by user Kenmayer on 9 Nov 2015. This version of the image has been digitally resized and fully colorized by Kathleen Vail (user:AishaAbdel) in an attempt to recreate the colors used by the Inscriptions Painter as faithfully as possible.

Inscription Painter - File:DeathOfAchilles_Rumpf_ChalkidischeVasen.jpg

Created: circa 540 BCE

Die junge Athene

Werk, bei einem Kurs von Michael Maschka entstanden

Düstermaler - Own work

Diosa Atenea

De la colección dioses de la Metapareidolia: Diosa Atenea. Autor:Lav. Juan Carlos Pérez Martínez (Celides). 1.35 X 81cm 2019. Acrílico. Esta pintura contiene la técnica Metapareidoliapictórica.

Celides - Own work Created: 24 June 2020

Domenico De Angelis Paride che nega la mela a Minerva Gabinetto delle Maschere Museo Pio-Clementino

Parys odmawia jabłka Minerwie", Domenico De Angelis (1735-1804), Gabinetto delle Maschere, Museo Pio-Clementino

Domenico De Angelis - https://m.museivaticani.va/content/museivaticani-mobile/it/collezioni/musei/museo-pio-clementino/tour-virtuale.html Created: 1792

Fontainebleau School - Pallas Athena

Unknown author (School of Fontainebleau) - Unknown source

Francesco del Cossa 008

Francesco del Cossa - The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202

Created: around 1468 – 1470

Francesco del Cossa 008 a
Created: around 1468 – 1470

Francesco salviati, pallade atena tra la fortuna e la virtù

Giuseppe Porta - Web Gallery of Art Created: 1556

Giuseppe Bottani - Athena revealing Ithaca to Ulysses

Giuseppe Bottani - Bridgeman Art Library: Object 557603

Created: 1750

Giuseppe Bottani - Ulysses transformed by Athena into beggar, 1775

Giuseppe Bottani - Bridgeman Art Library: Object 557606 Created: 1775

Glorification of Minerva

Urbanus Leyniers (1674-1747); Daniel Leyniers de Jonge (1669-1728); and Hendrik Reydams (1650-1719), after Jan van Orley (1665-1735) and Augustin Coppens (1668-1740) - Own work, photo by Szilas inthe Museum voor Schone Kunsten, Gent
Created: 1717

Greek Art - Fight over the Body of Achille

Painting excerpted from an ancient Chalcidian vase, which represents the conflict over the dead body of Achilles. The corpse of the hero lies in the midst, the arrow in his heel. The Trojan Glaucus tries to draw away the body by means of a rope tied round the ankle, but in doing so is transfixed by the spear of Ajax, who charges under the protection of the goddess Athena. Paris on the Trojan side shoots an arrow at Ajax.

ancient Greek artist - Encyclopædia Britannica (11th ed.), v. 12, 1911, p. 477, Fig. 12.
Created: between circa 800 and circa 480 B.C.; drawing published 1911

Griepenkerl, Beseelung der menschlichen Tonfigur durch Athena.

After Prometheus has created man out of mud, Athena breathes life into him, imparting reason and understanding. Part of a cycle on the myth of Prometheus by Christian Griepenkerl. Ceiling painting (oil on canvas) above the grand staircase in the Augusteum, Oldenburg.

Christian Griepenkerl - found online, James Steakley

Created: 1877/78

Hans von Aachen - Pallas Athena, Venus and Juno

Hans von Aachen - http://www.mfa.org/collections/object/pallas-athena-venus-and-juno-34926

Created: 1593

Hector Leroux (1829-1900), "Minerve Poliade sur l'Acropole d'Athènes" (version 1), oil on canvas, 89 by 136 cm., signed and dated "Hector LeROUX 1878" (lower left) and inscribed "AOHNH" on the pedestal underneath the statue. Auctioned at MacDougalls, London, July 7, 2011, under the title "Adoration of the Goddess Pallas Athena." This painting differs significantly from a second version by Leroux that can be seen in an official Paris Salon photo from 1878.

Hector Leroux - https://www.invaluable.com/auction-lot/louis-hector-leroux-verdun-1829-1900-angers-adora-88-c-4f3a16d72f?objectID=67439489

Created: 1878

Hector Leroux--two versions of Minerve Poliade sur lAcropole d'Athène

Louis Hector Leroux, two versions of "Minerve Poliade sur lAcropole d'Athènes"; left, the first version (now in a private collection), and right, the second and final version that was shown at the Paris Salon of 1878, not at the Musée d'Abbeville. The Paris Salon program entry for the painting cites a passage from Pausanias (1.26.6): "Both the city and the whole of the land are alike sacred to Athena; for even those who in their parishes have an established worship of other gods nevertheless hold Athena in honor. But the most holy symbol, that was so considered by all many years before the unification of the parishes, is the image of Athena which is on what is now called the Acropolis, but in early days the Polis (City). A legend concerning it says that it fell from heaven; whether this is true or not I shall not discuss." As of 1902, Leroux's "Minerve Poliade sur l'Acropole d'Athènes" was in the Musée d'Abbeville et du Ponthieu (now the Musée Boucher-de-Perthes), as listed on p. 56 of the museum catalogue published that year, where the dimensions are given as .85 x 1.25 m, and the painting is described: "The goddess, her head covered with her helmet, wearing the coat of mail, the spear in her hand and holding her shield in the other, appears on the left, of supernatural size and surrounded by a cloud, above the citadel. . Lower down, in the middle of the composition, a little to the right, a standing woman in antique costume stands out in white against a clump of trees; she raises her arms to the sky as a sign of terror or surprise. A little further on, two other women, at the sight of the prodigy, prostrated themselves; another flees to the right. In the background, on the same side, you can see the sea; on the left, in the distance, a column." The earlier version was auctioned in London in 2011. "The Foreshadowings of the Salon" by Lucy H. Hooper in The Art Journal, 1878, pp. 60-61, explains the two different versions, first describing the final version at the Paris Salon: "He [Leroux] has chosen to represent the fall of the miraculous image of Minerva from heaven. The scene occurs upon the summit of a hill near Athens. In the background lies the city beyond the shining waters of the gulf, a view painted from Nature with great accuracy of detail. In the foreground the miraculous image, the gift of the gods, upborne by a floating cloud, is descending to the ground. It is of colossal size, and stands revealed in dusky magnitude against the pale gold of the sky. In front of a group of pines towards the centre of the picture are three young girls, the sole witnesses of the miracle. One stands in wild amazement with uplifted arms, another hides her face in terror, a third crouches on the ground. As originally designed, the canvas was crowded with figures in various attitudes of adoration or of dismay. 'But,' said M. Leroux, 'on mature consideration, it seemed to me best that this ancient miracle, like more modern ones, should have but few witnesses, therefore I laid my first canvas aside and reproduced the whole scene anew.'"

Louis Hector Leroux - composite made from two sources: https://www.invaluable.com/auction-lot/louis-hector-leroux-verdun-1829-1900-angers-adora-88-c-4f3a16d72f?objectID=67439489 and the book Louis-Hector Leroux, Peintures et Esquisses, exhibition catalogue, Musées de Bar-le-Duc et de Verdun, 1988, p. 64.

Created: 1878

Heinrich Mann: Die Göttinnen oder die drei Romane der Herzogin von Assy. Band I: Diana. Band II: Minerva. Band III: Venus. München: A. Langen 1903; Erstdruck |first print; Wilpert/Gühring²7

Wikimedia: Foto H.-P.Haack Created: 26 January 2008

Hendrick van Balen (I) - Apollo vanquishes Pan

Hendrick van Balen the Elder - Bilbao Fine Arts MuseumCreated: 1650

Hera, Athena and Iris in the Trojan War (Attributed to Jacques Réattu)

Jacques Réattu - Created: 1750

Houbraken, Arnold - Pallas Athene Visiting Apollo on the Parnassus - 1703

Arnold Houbraken - first upload: cms.dordrecht.nl second upload: pubhist.com

Created: 1703

Hubert Maurer - Kaiser Joseph II

in the background Pallas Athene

Hubert Maurer - http://dorotheum.internationalauctioneers.com/catalogues/LotDetail.asp?lang=deu&LotID=19&AucID=6065 Created: 1750

Internationale Kunstausstellung Muenchen 1897

Poster of the 7th International Art Exhibition in Munich, Germany, in summer 1898

Franz von Stuck (1863-1928) - Westermanns Monatshefte 1898

Jean Mosnier (1600-1656) Sacrifice de bœufs pour Zeus, Héraclès et Athéna, 1630-1640 Château de Cheverny Toile - 175 x 136 cm Photo : Rouillac

Jean Mosnier (1600-1656) - http://www.latribunedelart.com/quelques-peintures-en-vente-ces-prochains-jours
Created: 1640

Johann George Böhm the elder (1673-1746) - Minerva Chastising Cupid for Disturbing the Arts and Sciences in Their Studies - 207813 - National Trus

tJohann George - Art UK Created: 1750

Johann Heiss Minerva als Göttin der Künste

Minerva als Göttin der Künste. Öl auf Leinwand 74 x 58 cm. (kleinformatige Variante des Gemäleds im Historischen Museum Bamberg)

Johann Heiss - Images from Neumeister Kunstauktionen

Created: 1704

John Singer Sargent - Perseus on Pegasus Slaying Medusa - 25.642 - Museum of Fine Arts

John Singer Sargent - https://www.mfa.org/collections/object/perseus-on-pegasus-slaying-medusa-32218

Created: 1921

Lairesse, Gérard de - Die Rückkehr des Odysseus nach Ithaka

Gerard de Lairesse - book: Bayerische Staatsgemäldesammlungen: Malerei des Spätbarock, Ostfildern: Hatje Cantz, 2007, ISBN 978-3-7757-1936-0 (vergriffen), S. 111

Created: 1719 or earlier

Louis Hector Leroux, "Minerve Poliade sur lAcropole d'Athènes" (second and final version), shown at the Paris Salon of 1878, now at Musée d'Abbeville; reproduction from the book Louis-Hector Leroux, Peintures et Esquisses, exhibition catalogue, Musées de Bar-le-Duc et de Verdun, 1988, p. 64. The Paris Salon program entry for the painting cites a passage from Pausanias (1.26.6): "Both the city and the whole of the land are alike sacred to Athena; for even those who in their parishes have an established worship of other gods nevertheless hold Athena in honor. But the most holy symbol, that was so considered by all many years before the unification of the parishes, is the image of Athena which is on what is now called the Acropolis, but in early days the Polis (City). A legend concerning it says that it fell from heaven; whether this is true or not I shall not discuss." As of 1902, Leroux's "Minerve Poliade sur l'Acropole d'Athènes" was in the Musée d'Abbeville et du Ponthieu (now the Musée Boucher-de-Perthes), as listed on p. 56 of the museum catalogue published that year, where the dimensions are given as .85 x 1.25 m, and the painting is described: "The goddess, her head covered with her helmet, wearing the coat of mail, the spear in her hand and holding her shield in the other, appears on the left, of supernatural size and surrounded by a cloud, above the citadel. . Lower down, in the middle of the composition, a little to the right, a standing woman in antique costume stands out in white against a clump of trees; she raises her arms to the sky as a sign of terror or surprise. A little further on, two other women, at the sight of the prodigy, prostrated themselves; another flees to the right. In the background, on the same side, you can see the sea; on the left, in the distance, a column." This painting by Leroux is very similar to an earlier version, also dated 1878, that was auctioned in London in 2011. "The Foreshadowings of the Salon" by Lucy H. Hooper in The Art Journal, 1878, pp. 60-61, explains the two different versions, first describing the final version at the Paris Salon: "He [Leroux] has chosen to represent the fall of the miraculous image of Minerva from heaven. The scene occurs upon the summit of a hill near Athens. In the background lies the city beyond the shining waters of the gulf, a view painted from Nature with great accuracy of detail. In the foreground the miraculous image, the gift of the gods, upborne by a floating cloud, is descending to the ground. It is of colossal size, and stands revealed in dusky magnitude against the pale gold of the sky. In front of a group of pines towards the centre of the picture are three young girls, the sole witnesses of the miracle. One stands in wild amazement with uplifted arms, another hides her face in terror, a third crouches on the ground. As originally designed, the canvas was crowded with figures in various attitudes of adoration or of dismay. 'But,' said M. Leroux, 'on mature consideration, it seemed to me best that this ancient miracle, like more modern ones, should have but few witnesses, therefore I laid my first canvas aside and reproduced the whole scene anew.'"

Louis Hector Leroux - Louis-Hector Leroux, Peintures et Esquisses, exhibition catalogue, Musées de Bar-le-Duc et de Verdun, 1988, p. 64

Created: 1878.

"Marie von Miller", Aquarell auf braunem Papier ca. 33 × 25 cm. In der Darstellung monogrammiert und datiert "20.11.1895"; auf der Rückseite ein handschriftlicher Text "Vivat Academicus!". Blatt aus dem Gästebuch der Münchner Mittwochsgesellschaft.

Ludwig Scheuermann (1859–1911) - Quelle

Created: 20 November 1895

Marie von Miller als Pallas Athene, Aquarell von Gustav Seitz auf braunem Papier ca. 33 × 25 cm. In der Darstellung monogrammiert. 20. November 1895. Nebst zwei Fotographien der Mitglieder der Mittwochsgesellschaft und Marie von Miller.

Otto Seitz (1846–1912) - Quelle

Created: 20 November 1895