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lunedì 2 ottobre 2017

Fuyuko Matsui (January 20, 1974) Japanese artist - In the realm of hell

Fuyuko Matsui

Fuyuko Matsui (松井冬子 Matsui Fuyuko, born January 20, 1974) is a female Japanese artist, specialized in Nihonga paintings. She is known for her "new Kusozu" series. Matsui has been making her works based on her psychoanalysis result, putting heavy weight on her feelings and interests in violence, experience of loss, repression, stress, and trauma.
Through the process of self-investigation, she found her works universal to all living beings--life and death, sex, self-love, self-mutilation, self and the other, this world and the next, desire and passions.

Biography

Her art has been widely exhibited in Japan and she has been featured on TV and magazines. She was one of the featured artists at the Museum of Contemporary Art, Tokyo's "Annual 2006" exhibition and at the Yokohama Museum of Art's "Nihonga Painting: Six Provocative Artists" in August 2006.
From late 2011 to early 2012, she had her first major retrospective at a large public museum. Entitled “Becoming Friends with All the Children in the World” the exhibition, held at the Yokohama Museum of Art included art from her entire career as well as new works.
Despite its often shocking aspects, her art is part of the tradition of Japanese art going back centuries. For example, her painting "Insane Woman under the Cherry Tree" (2006) is inspired by "Ogress under Willow Tree,” a painting by Soga Shohaku (1730–1781), the iconoclastic Edo-period painter, who was influenced by the art of the Muromachi Era painter Soga Jasoku (d. 1483).
Part of her interest in the past comes from her background. She grew up in Mori, Shizuoka Prefecture in a house that had been in her family for 14 generations.
When Japan was hit by the Great East Japan Earthquake in March 2011, Matsui was in her studio working on a painting.
"When the quake struck I was in my studio painting and the panel fell down and hit me,” she told CNN. “I quickly escaped outside, but I was so shocked by what happened in the Tohoku area that I couldn’t paint for two months. My mind was distraught. I stopped preparing for the Yokohama show."
In 2015, Matsui was chosen as a member of the 2020 Tokyo Olympics Emblem Committee.

Education

Matsui earned her Bachelor of Fine Arts (B.F.A.) in Painting from Joshibi Junior College of Art and Design in 1994. In 2002 and 2004, she earned her bachelor's and master's degree of fine arts in Japanese Painting from Tokyo University of the Arts. Later in 2007, Matsui obtained her Doctoral Degree (PhD) in Japanese Painting with her doctoral dissertation "The Inescapable Awakening to pain, through Visual Perception via the Sensory Nerves."

Works

Matsui shows her dedicated craftsmanship in her Japanese paintings. She was firstly trained in western-style painting, but in her later education in Japanese painting, she utilizes her western-style painting skills in her traditional works that deal with silk and Japanese pigments.
Matsui once said that she will only paint women, as she herself as a woman can only understand women's feelings. Her "New Kusozu" series was inspired by the traditional painting genre of Kusozu, but also founded honestly on the reality of being a human being and a woman in the world today, transcending a mere adaptation of a classical theme and truly realizes a contemporary Kusozu sequence. Her stance of being as faithful as possible to her own reality gives her works contemporary relevance and power.

Exhibitions

Matsui has been holding her solo shows since 2004. The first one was in Ginza Surugadai Art Gallery, Tokyo, "L'espoir Fuyuko Matsui Exhibition". And in 2011, an exhibition catalogue came with her exhibition "Fuyuko MATSUI: Becoming Friends with All the Children in the World" at Yokohama Museum of Art, Kanagawa, Japan. The other ones are in Gallery Naruyama, Tokyo (2005, 2007, 2012 and 2013), Hirano Museum, Shizuoka (2008), and Galerie DA-END, Paris (2010).
She had four group exhibitions in 2006 in Museum of Contemporary Art in Tokyo, Yokohama Museum of Art in Kanagawa, Tokyo University of the Arts and Music, and the Sato Museum of Art in Tokyo. In 2009, her works were displayed in the group exhibition "Medicine and Art" in Mori Art Museum in Tokyo. In 2010, she participated in the "Koizumi Yakumo-The Secret of Lafcadio Hearn" group exhibition in Contemporary Art Museum in Kumamoto.
In 2012, her works entered the group exhibition "Phamtoms of Asia" in Asian Art Museum of San Francisco.

Books

  • MASUI FUYUKO I & II. Publisher: Edition Treville. 2008.
  • The catalog of Yokohama Museum: FuyukoMATSUI--Becoming Friends with All the Children in the World, Edited by Kenichi Kawai, Marimo Hisaki, Sae Yatsunagi, Kyoko Sakamoto. Tokyo: Editions Treville, 2011.

Supernatural dissections: 'Engraved Alter of Limbs' (2007) by Fuyuko Matsui. | TOKYO UNIVERSITY OF THE ARTS

Fuyuko Matsui (nata nel 1974) è un artista giapponese, specializzata in pitture Nihonga con  'elementi grotteschi' o soprannaturali. La sua arte è stata ampiamente esposta in Giappone ed è stata presentata in TV e nelle riviste.

Female strength: Fuyuko Matsui is holding her first major solo exhibition at the Yokohama Museum of Art. | TOMOKO OTAKE; COURTESY OF 3331 ARTS CHIYODA

Fuyuko Matsui
Study, 2000
Gallery Naruyama


'Keeping up the Pureness' (2004) | PERMANENT LOAN TO THE HIRANO MUSEUM OF ART

“Becoming Friends with All the Children in the World” by Fuyuko Matsui (2004, collection of the artist – permanent loan to the Yokohama Museum of Art) Photo: Yokohama Museum of Art

Fuyuko Matsui
Underdrawing for Nyctalopia, 2004
Gallery Naruyama


 Fuyuko Matsui 
Engraved Altar of Limbs (draft version) 2006
Pencil on tracing paper
Dimensions unknown (destroyed)
Courtesy Gallery Naruyama, Tokyo © Fuyuko Matsui

Insane Woman Under
a Cherry Tree
 (2006)



 
Fuyuko Matsui 
Scattered Deformities in the End 2007
Hanging scroll – colour pigment on silk
124 x 96.5 cm
Private collection
Courtesy Gallery Naruyama, Tokyo © Fuyuko Matsui

 Fuyuko Matsui 
Continuous Failures in the Collision of Fragments 2007
Colour pigment on silk
64.5 x 90 cm
Courtesy Éditions-Treville, Tokyo. Collection of Mr Arisawa Keita © Fuyuko Matsui

Virgin Specimen 2009 / Color Pigment on Silk, Hanging Scroll / Fuyuko Matsui

 Fuyuko Matsui, 転換を繋ぎ合わせる (Joining the Conversion), 2011, color on silk, hanging scroll, 30 x 80 cm

  Fuyuko Matsui, 應声は体を去らない (The Parasite Will Not Abandon the Body), 2011

Matsui Fuyuko, Unerdrawing for Joining the Conversion, 2011

  Fuyuko Matsui, 交雑圖 (Interbreeding), 2013

 Fuyuko Matsui, 仔羊圖 (Lamb), 2013

 Fuyuko Matsui, Eclipse

  Fuyuko Matsui, “Night Blind” pencil study














Becoming Friends





crack-in-the-ashes

destruction-needed-to-cure-this-disease

nyctalopia



Becoming Friends

Becoming Friends

 Artist Fuyuko Matsui

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