Created: 1457
Created: 1470
Antonio da Vercelli - Consegli della salute del peccatore. - [S. l.] : [Tipografo del Sallustius], MCCCCLXX. - 54 c. ; 4º.
Quest'opera, stampata in Germania nel 1470, include parte del testo dell'Apocalisse di San Giovanni, l'ultimo libro della Bibbia cristiana, noto anche come Libro della Rivelazione. Il libro si basa su lettere scritte ai membri della chiesa in Asia Minore che descrivono le visioni e le rivelazioni celesti di San Giovanni. Racconta la storia della grande battaglia celeste tra il bene e il male, il ritorno di Cristo sulla terra, la punizione dei malvagi e la ricompensa dei giusti. Questa edizione dell'Apocalisse è un superbo esempio di stampa a blocchi. I libri a blocchi erano essenzialmente libri illustrati in cui il disegno e il testo venivano intagliati da una tavola di legno, inchiostrati e poi pressati sulla carta, lasciando un'impronta di parole e immagini. La stampa a blocchi emerse nel XV secolo e fu utilizzata per produrre racconti biblici e storie morali per una popolazione semi-alfabetizzata, in modo molto simile alle vetrate delle chiese che raffigurano episodi della vita di Cristo e dei santi. Inizialmente si pensava che la stampa a blocchi fosse il precursore della stampa a caratteri mobili, ma ricerche più recenti hanno indicato che questi rari libri furono creati nello stesso periodo in cui Gutenberg introdusse la stampa in Europa occidentale.
Bibbia; Bibbia. Nuovo Testamento; Incunaboli
Bibbia; Bibbia. Nuovo Testamento; Incunaboli
The first page of Apocalypsis Sancti Johannis, one of the earliest of the Block Books.
Unknown, probably German - A Brief History of Wood-engraving from its Invention: Joseph Cundall, 1895
Created: 1430
Enoch Elias and the Antichrist
Early illustration Created: 31 December 1903
Apocalypsis Sancti Johannis 1470-image17
From the book Revelation. Selections. Latin. 1470 Incunabula Germany
From the book Revelation. Selections. Latin. 1470 Incunabula Germany
Woodcut from around 1470, not nown who is the artist
Attributed to Andrea del Verrocchio / Domenico Ghirlandaio - madonna ruskin (adorazione del bambino), 1470 ca. (edimburgo, ngs) (Verrocchio il maestro di Leonardo- Domenico Ghirlandaio)
National Galleries of Scotland Created: 1470
Giovanni Dall'Orto, 6 January 2007 Cropped from: Milano - Castello sforzesco - Vicino da Ferrara (attr.) - Borso d'Este -1469-1471- - Foto Giovanni Dall'Orto - 6-1-2007
Benedicht Tschachtlan; upload by Adrian Michael - Tschachtlanchronik, Zürich, Zentralbibliothek
Die Schlacht bei Arbedo 1422. kolorierte Federzeichnung. Im Vordergrund das eidgenössische Lager mit den Bannern von Uri, Luzern, Unterwalden und Zug. Im Hintergrund die Festungen von Bellinzona mit den mailändischen Truppen unter dem Schlangenbanner von Mailand
Die Schlacht bei Arbedo 1422. kolorierte Federzeichnung. Im Vordergrund das eidgenössische Lager mit den Bannern von Uri, Luzern, Unterwalden und Zug. Im Hintergrund die Festungen von Bellinzona mit den mailändischen Truppen unter dem Schlangenbanner von Mailand
Bendicht Tschachtlan. - The Tschachtlanchronik, Zentralbibliothek Zürich (Zurich Central Library), Switzerland.
The Battle of Morgarten on 15 November 1315 (with a depiction of the court jester Kuony von Stocken).
The Battle of Morgarten on 15 November 1315 (with a depiction of the court jester Kuony von Stocken).
Created: 1470
Bendicht Tschachtlan - Burkhard VII. Münch falling off his horse at the Battle of St. Jakob an der Birs. Detail of File:St. Jakob Tschachtlan
Created: 1470
Created: 1470
Bendicht Tschachtlan und Heinrich Dittlinger; upload by Adrian Michael - Berner Chronik 1470. Zürich, Zentralbibliothek
Der Mord von Greifensee oder Bluttat zu Greifensee, 1444. kolorierte Federzeichnung
Der Mord von Greifensee oder Bluttat zu Greifensee, 1444. kolorierte Federzeichnung
Created: 1470

Darstellung der Schlacht bei St. Jakob an der Birs 1444. Kolorierte Federzeichnung
Created: 1470
Benedict Tschachtlan, upload by Adrian Michael - Zentralbibliothek Zürich
Der Anfang der Tschachtlanchronik, um 1468
Der Anfang der Tschachtlanchronik, um 1468
Benedict Tschachtlan, upload by Adrian Michael - Zentralbibliothek Zürich
Tschachtlanchronik:Vorrede
Tschachtlanchronik:Vorrede
Bendicht Tschachtlan - Tschachtlan, Bendicht: [Berner Chronik]. Bern, [um 1470]. Zentralbibliothek Zürich, Ms A 120, Blatt 1019
“Wie Waltshut vast genötiget was” - Belagerung von Waldshut durch die Eidgenossen 1468. Transkription des zugehörigen Textes bei w:de:Gottlieb Ludwig Studer: Berner Chronik 1424—1470 von Bendicht Tschachtlan, nebst den Zusätzen des Diebold Schilling. In: Quellen zur Schweizer Geschichte. Bd. I, 248–249
“Wie Waltshut vast genötiget was” - Belagerung von Waldshut durch die Eidgenossen 1468. Transkription des zugehörigen Textes bei w:de:Gottlieb Ludwig Studer: Berner Chronik 1424—1470 von Bendicht Tschachtlan, nebst den Zusätzen des Diebold Schilling. In: Quellen zur Schweizer Geschichte. Bd. I, 248–249
Created: 1470
Benedict Tschachtlan, upload by Adrian Michael - Tschachtlanchronik, Zentralbibliothek Zürich
Die Mordnacht von Zürich 1350
Die Mordnacht von Zürich 1350
Benedicht Tschachtlan - Scanned from Rainer C. Schwinges (ed.), Berns mutige Zeit: Das 13. und 14. Jahrhundert neu entdeckt, Bern, Schulverlag blmv AG und Stämpfli Verlag AG, Bern 2003, ISBN 3-292-00030-0 and ISBN 3-7272-1272-1, p. 245.
The founding history of Berne, as illustrated in the Tschachtlan chronicles: Duke Berchtold kills the bear. ZB Zürich MS. A 120, Abb. 2, S. 16.
The founding history of Berne, as illustrated in the Tschachtlan chronicles: Duke Berchtold kills the bear. ZB Zürich MS. A 120, Abb. 2, S. 16.
Created: 6 March 1353
Manuscript illustration of the construction of the first Untertorbrücke in the city of Berne, Switzerland. The illustration shows count Hartmann d. J. von Kyburg around 1254 interdicting the construction of the bridge as a result of his conflict with the city
Created: 1470
Botticelli Sandro, Madonna in
Glory with Seraphim, 1469–1470, tempera on panel, 120 × 65 cm, Uffizi,
Florence (Only Adolfo Venturi attributed it to the school of Filippo
Lippi.)
Armin Kleiner
Armin Kleiner
Colmar - Unterlinden Museum - Legend of St James, Miracle of the roast chickens ca 1480 by Maître de la Légende de Saint Jacques - Upper Rhine, Colmar? - Oil on wood
La miracolosa resurrezione del pollo arrosto al Museo Unterlinden (ex Convento Unterlinden) al 1, rue des Unterlinden a Colmar (Alto Reno, Francia)
La miracolosa resurrezione del pollo arrosto al Museo Unterlinden (ex Convento Unterlinden) al 1, rue des Unterlinden a Colmar (Alto Reno, Francia)
Txllxt TxllxT - Own work
Sailko and one more author - Own work
Der Ackermann aus Böhmen (Cod. Pal. germ. 76); Stuttgart um 1470, Werkstatt Ludwig Henfflin
Johannes von Tepl (between circa 1350 and circa 1414) - UB Heidelberg
Johannes von Tepl (between circa 1350 and circa 1414) - UB Heidelberg
Fernando Gallego - La obra representa a Jesucristo muerto y en los brazos de su madre, la Virgen María, mientras que por detrás que ellos aparece la cruz en la que había sido crucificado cristo y la ciudad de Jerusalén.
Created: 1450
Created: 1450
Created: 1470
Dresden, Old Masters Picture Gallery
Dguendel - Own work
Dguendel - Own work
Friedrich III. trifft am 19. September 1442 in Zürich ein
Tschachtlan, Berner Chronik - Zürich, Zentralbibliothek (HS.A 120) (S.729). eingescannt aus: Alois Niederstätter: 1400 - 1522:das Jahrhundert der Mitte: an der Wende vom Mittelalter zur Neuzeit, aus der Reihe Österreichische Geschichte, Wien 1996, ISBN 3-8000-3532-4
Tschachtlan, Berner Chronik - Zürich, Zentralbibliothek (HS.A 120) (S.729). eingescannt aus: Alois Niederstätter: 1400 - 1522:das Jahrhundert der Mitte: an der Wende vom Mittelalter zur Neuzeit, aus der Reihe Österreichische Geschichte, Wien 1996, ISBN 3-8000-3532-4
Giovanni Bellini - 1470 Bellini Der tote Christus, von vier Engeln gestützt City Museum of Rimini anagoria
Created: 1470
Created: 1470
Created: 1470
Jacopo Vincioli - Montefalco ( Umbria ). San Francesco - Chapel of Saint Bernardin of Siena: Altar in fresco (1469)
Wolfgang Sauber - Own work
Wolfgang Sauber - Own work
Jean Fouquet - Capture of Jerusalem by
Herod the Great in 36 BC. B.C. Flavius Josephus, Jewish Antiquities,
illumination by Jean Fouquet, around 1470-1475. Paris, BnF, Manuscripts
Department, NAF 21013, fol. 1v. (Book XV). In 36 BC. B.C., Herod the
Great enters Jerusalem as victorious. Behind him, in the probatic pool,
Jean Fouquet represented the murder by drowning of the high priest
Aristobulus III. In the background, the high priest celebrates worship
in the shrine of the Temple of Jerusalem.
Created: 1470
Created: 1470
Liberale da verona, san pietro guarisce uno storpio, 1469-70 ca
Sailko and one more author - Own work
Sailko and one more author - Own work
誠意伯劉先生文集 Opere complete del signor Liu Chengyi
戴用張僖明成化六年[1470]
Lorenzo da origgio, giacomo da torre e giacomo del maino, dossali di coro, 1469-71
Collections of the Museo diocesano (Milan)
Collections of the Museo diocesano (Milan)
Sailko - Own work
Sailko - Own work
Lorenzo di origgio, jacopo de' turri e giacomo del maino, dorsale del coro di sant'ambrogio, 1469-71.
Furniture Museum (Milan)
Furniture Museum (Milan)
Sailko - Own work
Maestro del Cattaver - (Venice) Il Salvatore benedicente tra i santi Vincenzo Ferreri, Agostino, Elena e Francesco - gallerie Accademia
Didier Descouens and one more author - Own work
Didier Descouens and one more author - Own work
Manuscript illustration of the Untertorbrücke in Berne, Switzerland. Entry of the Saubannerzug into the city, 1477.
Diebold Schilling the Younger - Tschachtlanchronik. Scanned from Furrer, Bernhard (1984), Übergänge: Berner Aarebrücken, Geschichte und Gegenwart, Berne: Benteli, ISBN 3-7165-0492-0.
Diebold Schilling the Younger - Tschachtlanchronik. Scanned from Furrer, Bernhard (1984), Übergänge: Berner Aarebrücken, Geschichte und Gegenwart, Berne: Benteli, ISBN 3-7165-0492-0.
Created: 1450
Martin Schongauer - Opera giovanile di Martin Schongauer. Olio e tempera su tavola di tiglio. Probabilmente proveniente dalla commenda antonina di Issenheim. Trasferita al museo nel 1852.
Schongauer, Retable de saint Barthélemy et de sainte Madelein
Created: 1470
Martyrdom of Paul Erizzo. Line engraving by A. Zucchi after S. Manaigo after P. Longhi. Iconographic Collections
Wellcome Collection gallery
Wellcome Collection gallery
Master of Verherrlichung Mariens - Adoration of the Kings
Created: 1450
:Paolo Uccello - host burning
The second panel of Paolo Uccello's Miracle of the Profaned Host from the Urbino Confraternity of Corpus Domini predella. A Jewish moneylender is cooking the host, which emanates blood. The Jew's wife, her unborn child, and her children look on in terror as the blood pours into the street in rivers while soldiers break through the door. The painting is structured around the Golden Section.
The second panel of Paolo Uccello's Miracle of the Profaned Host from the Urbino Confraternity of Corpus Domini predella. A Jewish moneylender is cooking the host, which emanates blood. The Jew's wife, her unborn child, and her children look on in terror as the blood pours into the street in rivers while soldiers break through the door. The painting is structured around the Golden Section.
Created: 1467
Petrarca, Francesco - Canzoniere. Segue: Trionfi. - [Venezia] : Vindelinus, MCCCCLXX. - 180 c. ; [a-b⁸, c-o¹⁰, p⁶, q-s¹⁰, t⁸] ; 4°. - Manca la c. [a]1
Created: 1450
Pietro Perugino - pala di s.m. dei servi, con adorazione dei magi, 1473-75 ca., da s.m. dei servi
in the Galleria nazionale dell'Umbria (Perugia) Created: 1470
in the Galleria nazionale dell'Umbria (Perugia) Created: 1470
Pietro perugino, madonna col bambino, 1470-71 ca. ( musée jacquemart-andré)
Sailko and one more author - Own work
Sailko and one more author - Own work
Sandro botticelli, madonna col bambino e due angeli, 1468 ca. (capodimonte) Napoli
Sailko and one more author - Own work
Sailko and one more author - Own work
Sandro Botticelli - La scoperta del cadavere di Oloferne e Il ritorno di Giuditta in the Uffizi Gallery
Google Art Project Created: 1470
Google Art Project Created: 1470
La Madonna delle Grazie di Sandro Botticelli un dipinto a tempera su tavola (80x58 cm) di Sandro Botticelli, databile intorno al 1470 e conservato in una collezione privata a Castellammare di Stabia.
Created: 1470
Created: 1470
Francesco Bini - Own work
Sano di Pietro - St. Augustine’s cope (mantle) was originally covered entirely in silver, which has flaked away over time. The red that we see today is bole, the clay-like pigment used as a base for silver and gold leaf. It is important to realize that with the silver leaf decoration this painting would have shimmered in the church candlelight with a radiance that is almost difficult to imagine today.
Created: 1470
Created: 1470
Sailko and one more author - Own work
Taddeo Crivelli (Italian, died about 1479, active about 1451 - 1479) - Mary Magdalene Borne Aloft
Taddeo Crivelli (Italian, died about 1479, active about 1451 - 1479) 1479 – illuminator (Italian)
Taddeo Crivelli (Italian, died about 1479, active about 1451 - 1479) 1479 – illuminator (Italian)
Created: 31 December 1468
Taddeo crivelli, san sebastiano
Libro d'ore Gualenghi-d'Este, 1469, Museo J. Paul Getty, Los Angeles, realizzato insieme a Guglielmo Giraldi
Libro d'ore Gualenghi-d'Este, 1469, Museo J. Paul Getty, Los Angeles, realizzato insieme a Guglielmo Giraldi
The Annihilation of the Beast; The Capture and Incarceration of the Beast from an Apocalypse blockbook, 2nd edition MET
Metropolitan Museum of Art
Metropolitan Museum of Art
Created: 1450
The façade of Santa Maria Novella was completed by Leon Battista Alberti in 1470. Santa Maria Novella is a church in Florence, Italy, situated just across from the main railway station which shares its name. Chronologically, it is the first great basilica in Florence, and is the city's principal Dominican church. The church, the adjoining cloister, and chapterhouse contain a store of art treasures and funerary monuments. Especially famous are frescoes by masters of Gothic and early Renaissance. They were financed through the generosity of the most important Florentine families, who ensured themselves of funerary chapels on consecrated ground.
Unknown author - Fragment uit het manuscript van de graduale van de St.-Baafsabdij te Gent. Gemaakt in 1469.
Vicino da ferrara (attr.), crocifissione, da s. antonio a ferrara, 1469-70 ca.
Sailko and one more author - Own work
Sailko and one more author - Own work




























































































