Marco Anelli
Marco Anelli (Roma, 31 ottobre 1968) è un fotografo italiano.Biografia
Inizia la sua carriera a Parigi dove si specializza nelle tecnica di stampa del bianco e nero. È autore di progetti fotografici di lunga durata i cui temi spaziano dall'architettura alla scultura, dallo sport alla musica e ai paesaggi. Nel 2010 realizza il progetto “Portaits in the Presence of Marina Abramovic” ritraendo i 1545 partecipanti alla performance di Marina Abramovic al MoMA di New York. Risiede e lavora a New York.Opere
- L'Ombra e la Luce (Silvana Editoriale 1999)
- Il Calcio (Federico Motta Editore 2002)
- La Musica Immaginata (Federico Motta Editore 2004)
- Pallacorda (Skira 2004)
- All'Ombra del Duomo (Contrasto 2010)
- Gesti dell'Anima (Peliti Associati 2011)
- Portraits in the presence of Marina Abramović (Damiani Editore 2012).
Marco
Anelli was born in Rome in 1968. He started his career in 1986 as a
photojournalist for motor racing sports. In 1992 he moved to Paris to
specialize in black and white photography and its printing techniques.
He also collaborated with the agency Presse Sport/L’Equipe.
In
1995 he began what has become an aspect of his work: photographic
projects that evolve slowly over long periods of time, developed through
an extended engagement with his subject.
The
sculptures and the interior of St. Peter Basilica in Rome were the
subject of his first project. Working exclusively with the natural light
at different times of day, he photographed St. Peter when closed to the
public and empty. A book, L’Ombra e la Luce (Shadow and Light) was published in 1998, followed by an exhibition shown in galleries from Milan to New York.
In
1997 he accepted a commission from the National Academy of Santa
Cecilia in Rome, photographing the musicians, conductors and composers
participating in its concert seasons of classical music, in a series of
intimate portraits captured during private moments of rehearsal. This
long co-operation produced exhibitions and a publication, La Musica Immaginata (Imagined Music).
His
next projects focused on architectural sites, including the modernist
architecture of the Milan Fair, and the restoration of the façade of St.
Peter’s Basilica. He participated in this latter project together with
Mimmo Jodice and Olivo Barbieri, and the reportage produced by all
three photographers was published in La Pietra e il Tempo (Stone through Time).
In
1998 he began a new photographic project on the world of soccer,
photographing soccer players during major Italian championships. The
images, capturing moments of intense speed, emotion, energy, and
physical skill, were published in the book Il Calcio (Soccer), and won prizes from Fuji and Canon in 2001.
In 2000 he created a study of relationships seen through living creatures. The project, titled Di Te, 2000 (About you, 2000),
won the Mario Giacomelli Memorial Award in 2001. In the following year
he began to develop a new chapter of the project, which became Di Te, 2004 (About you, 2004).
From 2005 to 2008 he taught photography at the Academy of Fine Arts in Rome.
In 2007 he began Seven Chapters,
a project based on the exploration of the human body. The third
chapter, dedicated to the skin, took as its subject the scars of the
artist Marina Abramovic.
In the same year architecture became the subject again, in a new project titled Tetris, which portrayed the materials and structures of building sites through abstract images.
In the same year architecture became the subject again, in a new project titled Tetris, which portrayed the materials and structures of building sites through abstract images.
In 2010 he carried out his major photographic project during Marina Abramovic’s The Artist is Present at
the Museum of Modern Art in New York. The only person present for the
entire duration of Abramovic’s performance (three months/716 hours), he
photographed each of the 1,545 visitors who took part in the performance
sitting in front of the artist. The portraits, that captured the many
different moments of intense emotional connection between the public and
the artist, are collected in the volume Portraits in the Presence of Marina Abramovic (Damiani
Publisher). The complete gallery of these portraits, presented by the
MoMA on Flickr, has reached over 1.5 million views.
In 2011, the book All’Ombra del Duomo (In the Shade of the Cathedral)
brought together the results of a six year-long photographic work. The
restoration of Milan Cathedral, observed from the scaffold erected for
the works, is depicted through a dialogue between the architecture, the
sculptures and the life surrounding it.
Gesti dell’Anima (Gestures
of the Spirit) is his second photographic book on classical music,
collecting images from a seven year period of work at the National
Academy of Santa Cecilia. The photographs, taken in the empty concert
hall during rehearsals, articulate the classical music as seen through
the gestures and expressions of its greatest interpreters.
Since 2011 he’s been exploring the character of the artist and their work as expressed in their studio. Something wicked this way comes is a project that leads the viewer into the creative process of worldwide famous artists such as Matthew Barney, Lawrence Weiner, Cecily Brown, Urs Fischer, Elizabeth Peyton, Julian Schnabel, Vito Acconci and others.
In 2015 he completed A Simple Story, his project on the construction of the new Whitney Museum of American Art designed
by Renzo Piano, in the Meatpacking district of New York. The
photographs depict, throughout the course of 4 years, all the stages of
the construction. A special focus is kept on the New York workers
portrayed at the building site during their work.
Marco Anelli lives and works in New York City.
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