Altare del Sacro Corpus Domini, Confraternita dei Mulini, Cattedrale di Lubecca
artwork: Hans Hesse Created: artwork: 1460
artwork: Hans Hesse Created: artwork: 1460
Andrea Mantegna - Pala di San Zeno a Verona, trittico, pannello centrale della predella: Crocifissione
Crucifixion - Andrea Mantegna - Louvre
Crucifixion - Andrea Mantegna - Louvre
Created: 1450
(National Museum of Capodimonte, Naples)
Potrebbe trattarsi di Francesco Gonzaga (1444-1483), figlio di Luigi III Gonzaga, che venne nominato cardinale all'età di 16 anni da parte di papa Pio II Piccolomini.
Potrebbe trattarsi di Francesco Gonzaga (1444-1483), figlio di Luigi III Gonzaga, che venne nominato cardinale all'età di 16 anni da parte di papa Pio II Piccolomini.
Created: 1460
Andrea Mantegna, Circumcision of Jesus, right wing of the Uffizi Triptych, c. 1463-64, Uffizi, Florence
Created: 1463
Created: 1463
Anonyme - Christ en croix entre la Vierge, saint Jean et les donateurs présumés , le roi Charles VII et le Dauphin - Musée des Augustins
Created: 1460
Created: 1460
Anonymous - Portrait of Charles the Bold, Duke of Burgundy. Standing, facing left, at full-length on a tiled floor. He is wearing the robe of the Order of the Golden Fleece and the collar of that order around his neck. Coat of arms top right. With integrated frame. Pendant of File:Portret van Philips de Goede, hertog van Bourgondië Rijksmuseum
Created: 1460
Atelier of Giovanni de Campo, St Nazzaro and Bernardino da Siena, Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno)
Laurom - Own work
Laurom - Own work
Atelier of Giovanni de Campo, Madonna lactans, Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno)
Laurom - Own work
Laurom - Own work
Atelier of Giovanni de Campo, A miracle of Bernardino da Siena, fresco, XV century, Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno)
Laurom - Own work
Laurom - Own work
Atelier of Giovanni de Campo, St. Francis of Assisi receives the stigmata , fresco, XV century, Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno)
Laurom - Own work
Laurom - Own work
Atelier of Giovanni de Campo, St. Bernardino da Siena and St. Roch , fresco, XV century, Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno)
Laurom - Own work
Laurom - Own work
Atelier of Giovanni de Campo, St. Sebastian and St. Fabiano , fresco, XV century, Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno)
Laurom - Own work
Laurom - Own work
Bamberga, Duomo di San Pietro e San Giorgio Grabplatte Bischof Anton von Rotenhan († 1459)
Bamberg, Dom St. Peter und St. Georg Grabplatte Bischof Anton von Rotenhan († 1459)
Bamberg, Dom St. Peter und St. Georg Grabplatte Bischof Anton von Rotenhan († 1459)
Benozzo gozzoli, cappella medici, agnello pasquale con sette candelabri e sette sigilli
Palazzo Medici-Riccardi - First floor
Palazzo Medici-Riccardi - First floor
Sailko - Own work
a Fresco at the Chapel of the Three Biblical Kings of the Medici Riccardi Palace, Florence, Province of Florence, Region of Tuscany, Italy
Zairon - Own work
Zairon - Own work
Brandenburg an der Havel, the cathedral, ledger stone of bishop Stephan Bodecker
Lapide del vescovo premostratense e brandeburghese Stephan Bodecker (* 15 novembre 1384; † 15 febbraio 1459) nella Cattedrale dei Santi Pietro e Paolo a Brandeburgo sulla Havel. L'iscrizione recita: "Nell'anno del Signore 1459, il 15 febbraio, è morto il venerabile padre e signore in Cristo, il signore Stephan, 36° vescovo di Brandeburgo. Possa la sua anima riposare in pace. Amen."
Grabplatte des Prämonstratensers und Brandenburger Bischofs Stephan Bodecker (* 15. November 1384; † 15. Februar 1459) im Dom St. Peter und Paul zu Brandenburg an der Havel. Die Inschrift lautet übersetzt: "Im Jahre des Herrn 1459 verstarb am 15. Februar der in Christus verehrungswürdiger Vater und Herr, Herr Stephan, 36. Bischof von Brandenburg, dessen Seele in Frieden ruhe. Amen."
Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno), View of the frescoes by Giovanni de Campo in the apse
Laurom - Own work
Laurom - Own work
Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno) Giovanni de Campo, Nativity, fresco, XV century,
Laurom - Own work
Laurom - Own work
Jean Balbi - E-Corpus
Catholicon 1460 Spread
Page-spread from the "Catholicon" by Johannes Balbus printed maybe by Johann Gutenberg about 1460. Copy of the Bayerische Staatsbibliothek.
Page-spread from the "Catholicon" by Johannes Balbus printed maybe by Johann Gutenberg about 1460. Copy of the Bayerische Staatsbibliothek.
Pagina tratta dal "Catholicon" di Johannes Balbus, stampato forse da Johann Gutenberg intorno al 1460. Copia della Bayerische Staatsbibliothek.
Cosmè tura, una musa, forse calliope, 1455-60 ca.
Studiolo di belfiore, calliope di cosmè tura, national gallery di londra
Studiolo di belfiore, calliope di cosmè tura, national gallery di londra
Created: 1460
Trittico con la Crocifissione Rijksmuseum
The central panel shows a Christ on the Cross with the Virgin Mary on the left and Saint John on the right. The skull and bone on the ground refer not only to Golgotha (The Place of the Skull), where the Crucifixion took place, but also to Adam, who was supposedly buried there. On the background the outlines of the city of Utrecht. The inner left wing shows a Mass of Saint Gregory; the inner right wing a Saint Christopher carrying the Christ child. The exterior shows an Annunciation with the angel to the left and the Virgin Mary to the right, depicted as statues on pedestals underneath canopies.
The central panel shows a Christ on the Cross with the Virgin Mary on the left and Saint John on the right. The skull and bone on the ground refer not only to Golgotha (The Place of the Skull), where the Crucifixion took place, but also to Adam, who was supposedly buried there. On the background the outlines of the city of Utrecht. The inner left wing shows a Mass of Saint Gregory; the inner right wing a Saint Christopher carrying the Christ child. The exterior shows an Annunciation with the angel to the left and the Virgin Mary to the right, depicted as statues on pedestals underneath canopies.
Il pannello centrale mostra un Cristo in croce con la Vergine Maria a sinistra e San Giovanni a destra. Il teschio e le ossa a terra si riferiscono non solo al Golgota (il luogo del cranio), dove ebbe luogo la crocifissione, ma anche ad Adamo, che si suppone sia stato sepolto lì. Sullo sfondo, i profili della città di Utrecht. L'ala interna sinistra mostra una Messa di San Gregorio; l'ala interna destra un San Cristoforo che porta il Bambino Gesù. L'esterno mostra un'Annunciazione con l'angelo a sinistra e la Vergine Maria a destra, raffigurati come statue su piedistalli sotto baldacchini.
Anonymous (Utrecht) - Created: 1460
Epitaffio per il mercante Albert Bisschop nel Duomo di Lubecca, raffigurante il donatore inginocchiato davanti alla Madonna con due santi, Dorotea e Alberto Magno
Epitaph for merchant Albert
Bisschop in Dom, Lübeck, showing the donor kneeling before the Madonna
with two saints, Dorothy and Albert the Great
Created: artwork: 1459
Filippo Lippi e aiuti, Martirio e funerale di Santo Stefano, 1452-64. Duomo di Prato, affreschi della parete sinistra della cappella maggiore.
Created: 1460
Created: 1460
Fra Filippo Lippi - The Funeral of St Stephen (detail)
Filippo Lippi - Created: 1460
Filippo Lippi - Created: 1460
Giovanni de Campo, Apostles, frescoes of the apse, 1461, Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno)
Laurom - Own work
Laurom - Own work
Giovanni de Campo, God the Father, frescoes of the apse, 1461, Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno)
Laurom - Own work
Laurom - Own work
Giovanni de Campo, St. Celso, frescoes of the apse, 1461, Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno)
Laurom - Own work
Laurom - Own work
Giovanni de Campo, St. Nazzaro and the donor, frescoes of the apse, 1461, Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno)
Laurom - Own work
Laurom - Own work
Giovanni de Campo, Throned Madonna with Child, St. Gregory I and St. Defendente, fresco, XV century, Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno)
Laurom - Own work
Laurom - Own work
Giovanni de Campo, The Seven Works of Mercy, frescoes of the apse, 1461, Caltignaga, Chiesa dei Santi Nazzaro e Celso (Sologno)
Laurom - Own work
Giovanni di Paolo -
Saint Catherine (1347–1380) was the daughter of a prosperous Sienese cloth dyer. At the age of six, she saw a vision of Christ and thereafter dedicated herself to chastity, penance, and good works. She became extremely popular in Siena when she selflessly cared for the sick and dying victims of the bubonic plague, known as the Black Death. These panels were once part of a predella (or pedestal) of a large altarpiece painted for the Hospital Church of Siena. The main scene of this altarpiece, showing the Presentation of Christ in the Temple (now preserved in Siena) was ordered by the Pork Butchers Guild (the Pizzicaiuoli) in 1447. The predella was added later when Catherine was canonized in 1461. In the first panel she kneels before an altar and reaches up to choose from the monastic garments offered by Saints Dominic, Augustine, and Francis, all founders of religious orders. Catherine takes the habit of Saint Dominic, which she wore as the founder of the Sisters of Penance. The second panel shows, at the right, Saint Catherine giving her cloak to a threadbare beggar. The beggar was really Christ in disguise, and at the left he returns the cloak to her. For this act of charity, the cloak perpetually protected its wearer from the cold.
Saint Catherine (1347–1380) was the daughter of a prosperous Sienese cloth dyer. At the age of six, she saw a vision of Christ and thereafter dedicated herself to chastity, penance, and good works. She became extremely popular in Siena when she selflessly cared for the sick and dying victims of the bubonic plague, known as the Black Death. These panels were once part of a predella (or pedestal) of a large altarpiece painted for the Hospital Church of Siena. The main scene of this altarpiece, showing the Presentation of Christ in the Temple (now preserved in Siena) was ordered by the Pork Butchers Guild (the Pizzicaiuoli) in 1447. The predella was added later when Catherine was canonized in 1461. In the first panel she kneels before an altar and reaches up to choose from the monastic garments offered by Saints Dominic, Augustine, and Francis, all founders of religious orders. Catherine takes the habit of Saint Dominic, which she wore as the founder of the Sisters of Penance. The second panel shows, at the right, Saint Catherine giving her cloak to a threadbare beggar. The beggar was really Christ in disguise, and at the left he returns the cloak to her. For this act of charity, the cloak perpetually protected its wearer from the cold.
Santa Caterina (1347–1380) era figlia di un prospero tintore senese. All'età di sei anni ebbe una visione di Cristo e da allora si dedicò alla castità, alla penitenza e alle buone opere. Divenne estremamente popolare a Siena quando si prese cura altruisticamente dei malati e dei morenti vittime della peste bubbonica, nota come Morte Nera. Questi pannelli facevano parte di una predella (o piedistallo) di una grande pala d'altare dipinta per la Chiesa dell'Ospedale di Siena. La scena principale di questa pala d'altare, raffigurante la Presentazione di Cristo al Tempio (ora conservata a Siena), fu ordinata dall'Arte dei Norcini (i Pizzicaiuoli) nel 1447. La predella fu aggiunta in seguito, quando Caterina fu canonizzata nel 1461. Nel primo pannello, Caterina è inginocchiata davanti a un altare e si allunga per scegliere tra le vesti monastiche offerte dai Santi Domenico, Agostino e Francesco, tutti fondatori di ordini religiosi. Caterina indossa l'abito di San Domenico, che indossò in quanto fondatrice delle Suore della Penitenza. Il secondo pannello mostra, a destra, Santa Caterina che dona il suo mantello a un mendicante liso. Il mendicante era in realtà Cristo travestito, e a sinistra le restituisce il mantello. Per questo atto di carità, il mantello protegge perpetuamente chi lo indossa dal freddo.
Created: 1460
Giovanni Francesco da Rimini - God the Father with Four Angels and the Dove of the Holy Spirit - Brooklyn Museum
Giovanni Francesco da Rimini - Created: 1460
Giovanni Francesco da Rimini - Created: 1460
Girolamo da Cremona - Petrarca's Trionfi
1. Triumphs of Love, Chastity and Death; 2. Triumphs of Fame, Time and Eternity
1. Triumphs of Love, Chastity and Death; 2. Triumphs of Fame, Time and Eternity
Created: 1450
Gothic fresco «Madonna and Child» (around 1460) at the northern exterior choir wall of the parish church Saint Margaret in Lieding #2, municipality Straßburg, district Sankt Veit, Carinthia, Austria, EU
Straßburg Lieding Pfarrkirche Chorschräge außen Fresko Madonna mit Kind
Straßburg Lieding Pfarrkirche Chorschräge außen Fresko Madonna mit Kind
Altar der Heiligen-Leichnams-Brüderschaft der Mühlenknechte, Dom zu Lübeck
Created: artwork: 1460
Hunting scene, from the Ashkenazi Haggadah, Germany, c. 1460 (British Library, Additional 14762, f. 4
Hare Hunt
Scena di caccia, dall'Haggadah ashkenazita, Germania, c. 1460 (British Library, Additional 14762, f. 4
Illustrator of the Ashkenazi Haggadah - Created: 1460
Retaule de Sant Abdó i Sant Senén, de Lluís Borrassà, església de Santa Maria (Terrassa)
Katholische Pfarrkirche Saint-Pierre in Sibiril im Département Finistère (Region Bretagne/Frankreich), Hochgrab von Jean de Kerouzeré († um 1460) aus dem späten 15. Jahrhundert
Chiesa parrocchiale cattolica di Saint-Pierre a Sibiril nel dipartimento del Finistère (regione della Bretagna/Francia), tomba alta di Jean de Kerouzeré († intorno al 1460) della fine del XV secolo
GFreihalter - Own work
GFreihalter - Own work
Leonardo da vinci (attr.), madonna col bambino sorridente, 1472 ca.
Verrocchio il maestro di Leonardo
Verrocchio il maestro di Leonardo
Maastricht, Sint-Servaas, Koningskapel, bouwtekening, ca1460, pen, tempera op perkament
Construction plan for Koningskapel (Kings Chapel), Basilica of Saint Servatius, Maastricht, the Netherlands (ca 1461). Ink and tempera on parchment. The money for the chapel was donated by Louis XI of France, in commemoration of a miraculous healing that happened to a relative of his, the duke of Bavaria, after praying to Saint Servatius.
Construction plan for Koningskapel (Kings Chapel), Basilica of Saint Servatius, Maastricht, the Netherlands (ca 1461). Ink and tempera on parchment. The money for the chapel was donated by Louis XI of France, in commemoration of a miraculous healing that happened to a relative of his, the duke of Bavaria, after praying to Saint Servatius.
Maître de Marguerite d'Orléans, graveur présumé - Mariage de Geoffroi comte de Rennes et duc de Bretagne, avec Havoise de Normandie, soeur de Richard II, duc de Normandie (enluminure de 1460)
Mariage Geoffroi, duc de Bretagne et Havoise de Normandie.
Mariage Geoffroi, duc de Bretagne et Havoise de Normandie.
Master of the Coeur d'Amour Epris of René d'Anjou, Possibly Barthélemy d'Eyck -
An illustration from the Livre du Coeur d'Amours espris de R. D'Anjou
An illustration from the Livre du Coeur d'Amours espris de R. D'Anjou
Created: 1460
Master of Saint George and the Princess - Saint George and the Princess
Created: Third quarter of 15th century
Created: Third quarter of 15th century
Created: 1460
Created: 1455
Muttergottes Madonna and Child Bodemuseum anagoria 1460
1460 Madonna col Bambino Bode Museum Anagoria
1460 Madonna col Bambino Bode Museum Anagoria
painter Netherlands - Own work Created: 1460
Created: 1460
Pere Niçard
Predella of the altar piece. On the left, the beheading of Saint George (Rafel Mòger). In the center, the Man of Sorrows (Pere Niçard). On the right, the Christian conquest of Mallorca (Pere Niçard).
Predella of the altar piece. On the left, the beheading of Saint George (Rafel Mòger). In the center, the Man of Sorrows (Pere Niçard). On the right, the Christian conquest of Mallorca (Pere Niçard).
Created: 1450
Pleydenwurff Marientod Historisches Museum Bamberg anagoria 1460
Hans Pleydenwurff - Own work, anagoria
Hans Pleydenwurff - Own work, anagoria
Created: 1460
Rogier van der Weyden - Virgin with the Child and Four Saints -
sacra conversazione Madonna and Child
sacra conversazione Madonna and Child
Rogier van der Weyden - Created: 1450
Giovanni gaggini, lastra tombale della corporazione degli orefici con sant'eligio, 1459. Santa Maria delle Vigne (Genova)

Scritto da Chen Fu (dinastia Song)
應用科學類·農業·園藝
(宋)陳敷撰
The "Abingdon Missal" (Ms.Digby 227) held by the Bodleian Libraries at Oxford University. It was produced for the Abbey of Abingdon on Thames in circa 1461. William Ashenden, its Abbot at the time and the manuscript's sponsor, is pictured at the bottom left. The manuscript itself is English and may have been produced in Oxford.






































































































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