George Keyt
George Keyt (17 April 1901 – 31 July 1993) was a Sri Lankan painter. He is often considered Sri Lanka's most distinguished modern painter. Keyt's dominant style is influenced by cubism. He also claimed to be influenced by his contemporary Henri Matisse and the ancient Buddhist art and sculpture of Nagarjunakonda, Sanchi and Gandhara. The Jataka tales formed a recurring theme in many of his works.In addition to being a painter, Keyt was a poet. He outlined his perceptions and practice as a painter in a few essays on the vision of the painter. One of his most notable literary works is his translation of the Gita Govinda into English (Bombay, 1940) and Sinhalese. These translations were illustrated by his own line drawings (see Martin Russell collection and Amerasinghe-Ganendra collections).
Biography
Keyt was born in Sri Lanka (Ceylon) and educated at Trinity College (Kandy), an elite colonial school in the British public school tradition. Stemming from Indo-Dutch origins, Keyt gave much time from an early age to drawing and the study of art and developed a consuming passion for books and reading.The spell of the ancient hill capital and its Buddhist aura soon came to exercise a powerful and lasting influence and was to provide both the literary and artistic stimulus living so close to the Malwatte Vihare. He became greatly drawn towards Buddhism and championed the cause of the Buddhist revival. He wrote profusely in both prose and verse. The young painter also began to turn his back on the values of the westernised milieu of the class into which he was born.
His explorations in Hindu mythology and Indian literature led him to close links with the cultural life of India, where he lived for long and short periods from 1939 right up to the late seventies. To the Sri Lankan Buddhist source were now added the imagery of Hindu myth and legend as key influences.
A meeting with Rabindranath Tagore in the 1930s in Ceylon left a lasting impression.
Keyt was a founder member of the Colombo '43 Group of Sri Lankan artists, and one of its four leading painters, along with Ivan Peries, Justin Daraniyagala and his brother-in-law Harold Peiris. Keyt, Pieris and Lionel Wendt are also known for their efforts to popularise Kandyan dance and other Sri Lankan dance forms.
Many exhibitions of his work have also been held in India, London and other European and American centres. His pictures are found in various museums and galleries abroad, as well as in private collections in Sri Lanka and throughout the world.
Sri Lanka has issued several stamps featuring the paintings of George Keyt.
Three female figures oil on paper
Girl with mirror
oil on canvas
114.5 x 85.5 cm. (45.1 x 33.7 in.)
Untitled
oil on canvas
Kandyan Woman and Her Child, 1927
dry pastel on paper
39.4 x 27.3 cm. (15.5 x 10.7 in.)
Untitled (House and Tree), 1930
oil on canvas
72.5 x 54.5 cm. (28.5 x 21.5 in.)
UNTITLED (MOTHER AND CHILD), 1932
oil on canvas
53.5 x 45.6 cm. (21.1 x 18 in.)
Portrait of Pinnawela Dhirananda, 1932
oil on canvas
66 x 50.8 cm. (26 x 20 in.)
Untitled (Sri Lankan Woman), 1932
oil on canvas
50.7 x 38 cm. (20 x 15 in.)
UNTITLED, 1933
oil on canvas
61 x 92.5 cm. (24 x 36.4 in.)
oil on canvas
82.5 x 75.5 cm. (32.5 x 29.7 in.)
Untitled, ca. 1920–1939
oil on canvas
127 x 81.3 cm. (50 x 32 in.)
Untitled, 1942
charcoal
46 x 41 cm. (18.1 x 16.1 in.)
Nayika III, 1943
oil on canvas
69.2 x 47.6 cm. (27.2 x 18.7 in.)
oil on canvas
37 x 29.2 cm. (14.6 x 11.5 in.)
UNTITLED (MAN, WOMAN AND CHILD), 1946
oil on canvas
114.5 x 85.2 cm. (45.1 x 33.5 in.)
Frauenkopf, 1947
color chalk on paper
27.3 x 20 cm. (10.7 x 7.9 in.)
Untitled (Peace), 1950
oil on canvas
75 x 113 cm. (29.5 x 44.5 in.)
Untitled, 1951
oil on canvas
84 x 102 cm. (33.1 x 40.2 in.)
Gopika Vastra Paharana, 1952
oil on canvas
178.4 x 124.4 cm. (70.2 x 49 in.)
Untitled (House), 1953
oil on board
60.6 x 45.4 cm. (23.9 x 17.9 in.)
Untitled, 1954
oil on canvas
70.5 x 70.5 cm. (27.8 x 27.8 in.)
oil on canvas
86.4 x 42 cm. (34 x 16.5 in.)
Untitled (Two Women), 1957
oil on canvas
80.9 x 71.1 cm. (31.9 x 28 in.)
Reclining lady, 1958
oil on panel
53.5 x 65 cm. (21.1 x 25.6 in.)
UNTITLED (COUPLE GAZING); UNTITLED (COUPLE SITTING), 1960
ink on paper
48 x 36 cm. (18.9 x 14.2 in.)
Untitled, 1960
watercolor and acrylic on paper
48.3 x 36.8 cm. (19 x 14.5 in.)
oil on canvas
107.5 x 100 cm. (42.3 x 39.4 in.)
The Mirror, 1962
oil on canvas
96 x 36.5 cm. (37.8 x 14.4 in.)
Untitled (Reclining lady), 1963
oil on canvas
56 x 96 cm. (22 x 37.8 in.)
Untitled, 1964
oil on canvas
119.4 x 71.4 cm. (47 x 28.1 in.)
UNTITLED (SET OF TWO)
, 1965
felt tip pen on paper
29.3 x 45.6 cm. (11.5 x 18 in.)
UNTITLED (TWO WOMEN), 1967
oil on canvas
82.5 x 51.4 cm. (32.5 x 20.2 in.)
Mahesha Mardini, 1968
oil on jute canvas
133.3 x 100.3 cm. (52.5 x 39.5 in.)
Girl and cactus, 1969
oil on board
81 x 39.5 cm. (31.9 x 15.6 in.)
Untitled (Radha and Krishna), 1970
oil on canvas
Untitled, 1971
oil on canvas
69.9 x 39.4 cm. (27.5 x 15.5 in.)
Nayika, 1972
oil on canvas
68.4 x 47.5 cm. (26.9 x 18.7 in.)
Untitled, 1973
oil on canvas
88.9 x 63.5 cm. (35 x 25 in.)
acrylic on canvas
62 x 61.9 cm. (24.4 x 24.4 in.)
Lover's Meeting, 1976
acrylic on canvas
99.4 x 67.9 cm. (39.1 x 26.7 in.)
Radha and Krishna, 1978
acrylic on canvas
80 x 129.5 cm. (31.5 x 51 in.)
Untitled (Lovers), 1979
oil on canvas
101.6 x 55.9 cm. (40 x 22 in.)
110.2 x 73 cm. (43.4 x 28.7 in.)
oil on canvas
77 x 77.5 cm. (30.3 x 30.5 in.)
88.9 x 56.5 cm. (35 x 22.2 in.)
acrylic on canvas
23 x 32.5 in. (58.4 x 82.6 cm.)
Harmony, 1981
acrylic on canvas 110.2 x 73 cm. (43.4 x 28.7 in.)
oil on canvas
77 x 77.5 cm. (30.3 x 30.5 in.)
Maithuna, 1983
oil on canvas88.9 x 56.5 cm. (35 x 22.2 in.)
UNTITLED (TWO WOMEN WITH BIRD), 1986
acrylic on paper
38 x 63.5 cm. (15 x 25 in.)
Three Figures from an Indian Legend, 1987
oil on canvasboard
74 x 75 cm. (29.1 x 29.5 in.)
Three Friends, 1988
acrylic on canvas
71.2 x 116 cm. (28 x 45.7 in.)
Three Figures from an Indian Legend, 1987
oil on canvasboard
74 x 75 cm. (29.1 x 29.5 in.)
Three Friends, 1988
acrylic on canvas
71.2 x 116 cm. (28 x 45.7 in.)
Untitled (Lovers), 1989
Nessun commento:
Posta un commento