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venerdì 8 dicembre 2017

Virginia Patrone (born 1950 in Montevideo, Uruguay) Uruguayan Artist - patrone en colores

Virginia Patrone 

Virginia Patrone (born 1950 in Montevideo, Uruguay), she lived and worked in Uruguay, before moving to Spain in 2003.
In 1971 Patrone began her studies as an architect in the Faculty of Architecture, in the Universidad Mayor de la República, Uruguay's National University. In 1978 she turned to painting, studying until 1981 in the Studio of Pepe Montes. Montes himself had trained in the studio of the renowned Montevideo artist Joaquín Torres García.
Patrone is a founding member of the Buenaventura Studio, established in 1989 with the artists Carlos Musso, Carlos Seveso, and Álvaro Pemper. She has also taught courses at and was invited to the School of Fine Arts at Montevideo's Universidad Mayor de la República, New York's Museum of Modern Art, the State University of New York (SUNY) and educational programs in museums in Barcelona and Madrid.
In 1988 Patrone obtained a Fulbright Grant. She won First Prize at the 1986 City Hall Fine Arts Showroom in Montevideo, and at the 1996 Uruguayan Republic Bank's Century Painting Showroom. She was also awarded prizes for excellence in painting at the 1987 National Association of Communications Painting Showroom and for Drawing at the Uruguayan Republic Bank Art Hall in 1987 and 1988. She has had solo exhibitions at the Metropolitan Museum of Tokyo in 1990 and the State University of New York (SUNY). Her work is featured in the collections of the Inter-American Development Bank (Washington, DC), National Museum of Visual Arts (Montevideo, Uruguay), the Juan Manuel Blanes Fine Arts Museum (Montevideo, Uruguay), the Uruguayan Republic Bank Art Hall (Montevideo, Uruguay), the City Hall Museum of San Fernando (Punta del Este, Department of Maldonado, Uruguay) and the American Art Museum (Maldonado, Uruguay).
In 1997 Patrone won the Florencio Award, Uruguay's most prestigious theatre award, for the murals she produced in collaboration with the artist Álvaro Pemper, for the play Juego de Damas Crueles.
She was invited to represent Uruguay several times:
  • Biennial of Painting in Cuenca (Ecuador, 1991 and 1994)
  • Latin Art Gallery organised by the Latin-American Development Bank in Nagoya (Japan, 1991)
  • Biennial in Valparaíso (Chile, 1994)
  • Biennial Vento Sul (Brazil, 1996)

 Zaguán 1987
130 x 97 cm

 Mujer a. long-díptico  1991
 130 x 230 cm

 MEDUSITA
acrílico s/tela 73x73cm 2007


LAS HIJAS DEL VOLCÁN
 acrílico s/tela 250x200cm 2008  


 LA ILUSIONISTA
acrílico s/papel 30x30cm 2009  


JENNIFER FOX
acrílico s/papel 30x30cm 2009


PORTRAIT OF A WOUNDED POET
acrílico s/tela 73x73cm 2010 


LA MUJER TATUADA
acrílico s/tela 135X185cm 2010 


rouge & a doll
acrílico s/papel 30x30cm 2010 


EL UMBRAL DEL DÍA
acrílico s/tela 70X100cm 2005-2011 


la maison du diable
acrílico s/papel 30x30cm 2011 


OWL
acrílico s/tela 157x99cm 2012 

HAUNTED OBELISK
acrílico s/papel 160x92cm 2012


PASSAGE TO THE FOREST
acrílico s/tela 130x100cm 2012


LA PUREZA DE LA SOMBRA
180x100cm, acrílico s/tela 2013


Venus, luna, marte, 100x130cm, acrílico sobre tela, 2013

El jardín en sí, 140x80cm, acrílico sobre tela, 2013

 The pig, the snake and the void, 150x105cm, acrílico sobre tela, 2013

El amor propio, el dolor ajeno, 100x80cm, acrílico sobre papel, 2013 

Niños pobres y asesinos, 200x114cm, pastel, goma y acrílico sobre papel, 2014

Dressed by tigers 100x130cm, acrílico sobre tela, 2015

 Atravesar sin perderse 2016
 acrílico sobre tela 145x145 cm.

 Don't trust me 2016
Tinta sobre papel 34x53,5 cm.

 la pescadora 2016
acrílico sobre tela 73x73cm

 Lady Clown and her Little Monsters 2017
Acuarela y acrílico sobre papel 
30x30 cm.

 Iris

 Iris 3

Los que abren las puertas del infierno

 
La danzarina ausente

 Las sanadoras

Mujer dragón entre dos mundos

 
Rainwoman

 
La niña del crepúsculo (1/2)

 
La niña del crepúsculo (2/2)

 Atravesar y perderse

 Confusión en la luz

Mujer pájaro

 
I want a spell I want a spell which makes me innocent again

 
Who is behind this slander

 
Because being a woman is an important matter

 
There will come a time of happy crimes

 
Hail King that shalt be

A Tiger in my dreams

 
Pallas cat

 
The sun within

 Lotus diptych (1/2)

 Lotus diptych (2/2)

SEDA FALSA


 HIERRO ORO URANIO PLOMO

 Hotel Colon
Watercolor and tempera on paper
92 x 70 cm  

EL SALTO
oil on canvas
51.3 x 50.5 in

EN EL BAR
Oil on canvas pasted on fiber
60 x 75 cm.

Soy cuerpo lunar de confuso foco tenue
vago ausente en mecánicas celestes
Ni onda ni partícula desdoblo o mimo
Lo implacablemente nítido me aliena




...a suivre...


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