Tartaro/Tartarus

Tartaro

Tartaro (in greco antico: Τάρταρος, Tártaros) indica, nella Teogonia di Esiodo, il luogo inteso come la realtà tenebrosa e sotterranea (katachthònia), e quindi il dio che lo personifica, venuto a essere dopo Chaos e Gaia.
Zeus vi rinchiuse i Titani, stirpe divina e padri degli dei dell'Olimpo, dopo averli sconfitti a seguito della Titanomachia. Lì, inoltre, si trovavano altri mostri come, ad esempio, le Arai, ma anche mortali puniti per i loro gravi misfatti come Tantalo (re della Libia, punito dagli dei per le sue colpe con una fame e una sete insaziabili: sebbene avesse accanto a sè frutti e acqua, non appena tentava di afferrarli questi si allontanavano da lui)  Sempre in Esiodo, Tartaro è considerato il procreatore, insieme con Gaia, di Tifeo.

Storia

Secondo Graziano Arrighetti, Esiodo rende la posizione spaziale del Tartaro incongruente, dacché mescola descrizioni "orizzontali" e "verticali", ossia dipinge il luogo come "ai confini della terra" (v. 731) e contemporaneamente come al di sotto della terra (v. 720 sgg.). La questione è insormontabile. Nella visione verticale viene descritto come una voragine buia, talmente profonda che lasciandovi cadere un'incudine questa avrebbe impiegato nove giorni e nove notti per toccarne il fondo.
In Apollodoro (Biblioteca I,1,2) Tartaro è il luogo tenebroso dell'Ade dove Urano rinchiuse i Ciclopi.
Col tempo la parola Tartaro venne confusa e assimilata a una generica definizione di inferno: già con Virgilio (70 - 19 a.C.) che, nell'Eneide, divide gli inferi fra Tartaro e Campi Elisi.

Influenza culturale

Al Tartaro sono intitolati i Tartarus Montes su Marte.

 Jean-Baptiste-Camille Corot - Orpheus Leading Eurydice from the Underworld - 87.190 - Museum of Fine Arts 1861


Il Tartaro
«Tanto è profondo il Tartaro oscuro sotto la terra:
se un'incudine di bronzo cadesse dal cielo, dopo nove notti
e nove giorni, al decimo arriverebbe a terra
- e così è profondo sotto la terra anche il Tartaro oscuro,
che se un'incudine di bronzo cadesse dalla terra, dopo nove notti
e nove giorni, al decimo arriverebbe al Tartaro»
(Esiodo, Teogonia, vv. 721-25).

In Greek mythology, Tartarus (/ˈtɑːrtərəs/; Ancient Greek: Τάρταρος, Tartaros) is the deep abyss that is used as a dungeon of torment and suffering for the wicked and as the prison for the Titans. Tartarus is the place where, according to Plato's Gorgias (c. 400 BC), souls are judged after death and where the wicked received divine punishment. Like other primal entities (such as the Earth, Night and Time), Tartarus is also considered to be a primordial force or deity.

Greek mythology

In Greek mythology, Tartarus is both a deity and a place in the underworld. In ancient Orphic sources and in the mystery schools, Tartarus is also the unbounded first-existing entity from which the Light and the cosmos are born.

Deity

In the Greek poet Hesiod's Theogony, c. 700 BC, Tartarus was the third of the primordial deities, following after Chaos and Gaia (Earth), and preceding Eros, and was the father, by Gaia, of the monster Typhon. According to Hyginus, Tartarus was the offspring of Aether and Gaia.

Place

As for the place, Hesiod asserts that a bronze anvil falling from heaven would fall nine days before it reached the earth. The anvil would take nine more days to fall from earth to Tartarus. In the Iliad (c. 700 BC), Zeus asserts that Tartarus is "as far beneath Hades as heaven is above earth."
While according to Greek mythology the realm of Hades is the place of the dead, Tartarus also has a number of inhabitants. When Cronus came to power as the King of the Titans, he imprisoned the one-eyed Cyclopes and the hundred-armed Hecatonchires in Tartarus and set the monster Campe as its guard. Zeus killed Campe and released these imprisoned giants to aid in his conflict with the Titans. The gods of Olympus eventually triumphed. Kronos and many of the other Titans were banished to Tartarus, though Prometheus, Epimetheus, Metis and most of the female Titans were spared (according to Pindar, Kronos somehow later earned Zeus' forgiveness and was released from Tartarus to become ruler of Elysium). Another Titan, Atlas, was sentenced to hold the sky on his shoulders to prevent it from resuming its primordial embrace with the Earth. Other gods could be sentenced to Tartarus as well. Apollo is a prime example, although Zeus freed him. The Hecatonchires became guards of Tartarus' prisoners. Later, when Zeus overcame the monster Typhon, he threw him into "wide Tartarus".

Residents

Originally, Tartarus was used only to confine dangers to the gods of Olympus. In later mythologies, Tartarus became the place where the punishment fits the crime. For example:

• King Sisyphus was sent to Tartarus for killing guests and travelers to his castle in violation to his hospitality, seducing his niece, and reporting one of Zeus' sexual conquests by telling the river god Asopus of the whereabouts of his daughter Aegina (who had been taken away by Zeus). But regardless of the impropriety of Zeus' frequent conquests, Sisyphus overstepped his bounds by considering himself a peer of the gods who could rightfully report their indiscretions. When Zeus ordered Thanatos to chain up Sisyphus in Tartarus, Sisyphus tricked Thanatos by asking him how the chains worked and ended up chaining Thanatos; as a result there was no more death. This caused Ares to free Thanatos and turn Sisyphus over to him. Sometime later, Sisyphus had Persephone send him back to the surface to scold his wife for not burying him properly. Sisyphus was forcefully dragged back to Tartarus by Hermes when he refused to go back to the Underworld after that. In Tartarus, Sisyphus was forced to roll a large boulder up a mountainside which when he almost reached the crest, rolled away from Sisyphus and rolled back down repeatedly. This represented the punishment of Sisyphus claiming that his cleverness surpassed that of Zeus, causing the god to make the boulder roll away from Sisyphus, binding Sisyphus to an eternity of frustration.
• King Tantalus also ended up in Tartarus after he cut up his son Pelops, boiled him, and served him as food when he was invited to dine with the gods. He also stole the ambrosia from the Gods and told his people its secrets. Another story mentioned that he held onto a golden dog forged by Hephaestus and stolen by Tantalus' friend Pandareus. Tantalus held onto the golden dog for safekeeping and later denied to Pandareus that he had it. Tantalus' punishment for his actions (now a proverbial term for "temptation without satisfaction") was to stand in a pool of water beneath a fruit tree with low branches. Whenever he reached for the fruit, the branches raised his intended meal from his grasp. Whenever he bent down to get a drink, the water receded before he could get any. Over his head towered a threatening stone like that of Sisyphus.
• Ixion was the king of the Lapiths, the most ancient tribe of Thessaly. Ixion grew to hate his father-in-law and ended up pushing him onto a bed of coal and woods committing the first kin-related murder. The princes of other lands ordered that Ixion be denied of any sin-cleansing. Zeus took pity on Ixion and invited him to a meal on Olympus. But when Ixion saw Hera, he fell in love with her and did some under-the-table caressing until Zeus signaled him to stop. After finding a place for Ixion to sleep, Zeus created a cloud-clone of Hera named Nephele to test him to see how much he loved Hera. Ixion made love to her, which resulted in the birth of Centaurus, who mated with some Magnesian mares on Mount Pelion and thus engendered the race of Centaurs (who are called the Ixionidae from their descent). Zeus drove Ixion from Mount Olympus and then struck him with a thunderbolt. He was punished by being tied to a winged flaming wheel that was always spinning: first in the sky and then in Tartarus. Only when Orpheus came down to the Underworld to rescue Eurydice did it stop spinning because of the music Orpheus was playing. Ixion being strapped to the flaming wheel represented his burning lust.
• In some versions, the Danaides murdered their husbands and were punished in Tartarus by being forced to carry water in a jug to fill a bath which would thereby wash off their sins. But the tub was filled with cracks, so the water always leaked out.
• The giant Tityos attempted to rape Leto on Hera's orders, but was slain by Apollo and Artemis. As punishment, Tityos was stretched out in Tartarus and tortured by two vultures who fed on his liver. This punishment is extremely similar to that of the Titan Prometheus.
• King Salmoneus was also mentioned to have been imprisoned in Tartarus after passing himself off as Zeus, causing the real Zeus to smite him with a thunderbolt.

According to Plato (c. 427 BC), Rhadamanthus, Aeacus and Minos were the judges of the dead and chose who went to Tartarus. Rhadamanthus judged Asian souls, Aeacus judged European souls and Minos was the deciding vote and judge of the Greek.
Plato also proposes the concept that sinners were cast under the ground to be punished in accordance with their sins in the Myth of Er.
There were a number of entrances to Tartarus in Greek mythology. One was in Aornum.
Tantalus, for instance, would not be sent to Tartarus. Only condemned monsters and titans are sent to Tartarus.

Roman mythology

In Roman mythology, Tartarus is the place where sinners are sent. Virgil describes it in the Aeneid as a gigantic place, surrounded by the flaming river Phlegethon and triple walls to prevent sinners from escaping from it. It is guarded by a hydra with fifty black gaping jaws, which sits at a screeching gate protected by columns of solid adamantine, a substance akin to diamond – so hard that nothing will cut through it. Inside, there is a castle with wide walls, and a tall iron turret. Tisiphone, one of the Erinyes who represents revenge, stands guard sleepless at the top of this turret lashing a whip. There is a pit inside which is said to extend down into the earth twice as far as the distance from the lands of the living to Olympus. At the bottom of this pit lie the Titans, the twin sons of Aloeus, and many other sinners. Still more sinners are contained inside Tartarus, with punishments similar to those of Greek myth.

Biblical pseudepigrapha

Tartarus occurs in the Septuagint of Job, but otherwise is only known in Hellenistic Jewish literature from the Greek text of 1 Enoch, dated to 400–200 BC. This states that God placed the archangel Uriel "in charge of the world and of Tartarus" (20:2). Tartarus is generally understood to be the place where 200 fallen Watchers (angels) are imprisoned.
Tartarus also appears in sections of the Jewish Sibylline Oracles. E.g. Sib. Or. 4:186.

New Testament

In the New Testament, the noun Tartarus does not occur but tartaroo (ταρταρόω, "throw to Tartarus"), a shortened form of the classical Greek verb kata-tartaroo ("throw down to Tartarus"), does appear in 2 Peter 2:4. Liddell–Scott provides other sources for the shortened form of this verb, including Acusilaus (5th century BC), Joannes Laurentius Lydus (4th century AD) and the Scholiast on Aeschylus' Eumenides, who cites Pindar relating how the earth tried to tartaro "cast down" Apollo after he overcame the Python. In classical texts, the longer form kata-tartaroo is often related to the throwing of the Titans down to Tartarus.
The ESV is one of several English versions that gives the Greek reading Tartarus as a footnote:

"For if God did not spare angels when they sinned, but cast them into hell [1] and committed them to chains of gloomy darkness to be kept until the judgment;" - Footnotes [1] 2:4 Greek Tartarus

Adam Clarke reasoned that Peter's use of language relating to the Titans was an indication that the ancient Greeks had heard of a Biblical punishment of fallen angels. Some Evangelical Christian commentaries distinguish Tartarus as a place for wicked angels and Gehenna as a place for wicked humans on the basis of this verse. Other Evangelical commentaries, in reconciling that some fallen angels are chained in Tartarus, yet some not, attempt to distinguish between one type of fallen angel and another.

Persephone supervising Sisyphus in the Underworld, Attic black-figure amphora, c. 530 BC

Swing Painter - User:Bibi Saint-Pol, own work, 2007-02-13

Nekyia: Persephone supervising Sisyphus pushing his rock in the Underworld. Side A of an Attic black-figure amphora, ca. 530 BC. From Vulci.

 Map of Virgil's Underworld, from Andrea de Jorio, Viaggio di Enea all' inferno ed agli elisii secondo Virgilio (3rd ed.; Naples: Fibreno, 1831).

 The Hell of Tartarus, Ancient Greek Prison of the Damned

 Doré - Styx

 Tartarus Greek God

 Eurydice in Hell 1620

WEYER, Hermann - Private Collectoin

 Hermes psykhopompos: sitting on a rock, the god is preparing to lead a dead soul to the Underworld. Attic white-ground lekythos, ca. 450 BC. 

Phiale Painter

 javier-gonzalez-tartarus3

Adolf Hiremy-Hirschl, Die Seelen des Acheron 1898

 Tartarus: The Prison of The Damned - (Greek Mythology Explained ...

YouTube

#Mythology #GreekMythology #MythologyExplained

Ludwig Mack / Lithograph: Rudolph Lohbauer: Die Unterwelt (zwischen 1824 und 1829), Ausschnitt rechts: Charon und die weinenden Schatten. Flachrelief, Verbleib unbekannt. Charon, der Fährmann des Hades liegt mit seinem dreiköpfigen Höllenhund Zerberos am Ufer des Totenflusses Styx und versperrt den weinenden Schatten, die auf das Totengericht warten, den Rückweg die Oberwelt.

Ludwig Mack (1799-1831), Bildhauer - Arbeiten von Ludwig Mack, Bildhauer in Stuttgart : in Conturen gezeichnet von Rudolph Lohbauer. Mit Gedichten von Rudolph Magenau, Ludwig Neuffer, Gustav Schwab. 1. Heft, Tafel 4c 

Balanzas de oro, que se cree que simbolizaban el peso del alma en el inframundo. En los discos está representada una mariposa (símbolo del alma). Halladas en las tumbas III, IV y V del Círculo de Tumbas A de Micenas. siglo XVI a. C. (Museo Arqueológico Nacional de Atenas).
Dorieo 

 Danaide. Skulptur von Johannes Schilling in Dresden (ursprünglich als Brunnenfigur geplant)
Benutzer:Erfurth, selbst aufgenommen im Juni 2006 - Opera propria

 Orpheus in front of Pluto (Hades) and Proserpina (Persephone). Engraving by Virgil Solis for Ovid's Metamorphoses Book X, 11-52.

A white-ground lekythos showing the preparation for a maiden's ritual bath before her wedding in the Underworld (Hades used to marry the girls that died without getting married).
Luis García 

Fallen angels in Hell

John Martin (19 July 1789 – 17 February 1854)

circa 1841
  

Tartarus - The Abyss

 kaichen-yan-titanomachia-tartarus

 kaichen-yan-untitled

 tartarus

Tantalus Condemned to Tartarus

Corbis

 The Titans - Gustave Doré's illustrations to Dante's Inferno - Gustave Doré (1832 – 1883) - PD-life-70

 Tityos - Jusepe de Ribera (1591–1652) - PD-art-100

 Ixion In Tartarus On The Wheel, 1731 

 Tartarus/Diagram-of-the-relative-position-of-Tartarus

 look-into-tartarus

 Elysium and Tartarus

1791–1792
James Barry (English, 1741–1806)

 “Tartarus”

 Tartarus

 Weather of Tartarus
1933 Max DUPAIN 

John_Martin_Tartarus

 TARTARUS

Brian Doers

Freelance Concept Artist / Illustrator

Tartarus Colles based on THEMIS day-time image

NASA, modified by Chmee2 - This product is an infrared image mosaic generated using Thermal Emission Imaging System (THEMIS) images from the 2001 Mars Odyssey orbiter mission. The small colored globe based on Mars Orbiter Laser Altimeter (MOLA).

Image of Tartarus Colles on Mars.

Tartarus
Painting, 8.3 H x 11.4 W x 1.2 in
Claudio Boczon
Brazil