Valkyrie
Artist: Devon Massey (All)
venerdì 3 dicembre 2021
mercoledì 16 giugno 2021
Edgar Degas
Edgar Degas
A Cotton Office in New Orleans, 1873
A esposa de Candaules
Achille De Gas in the Uniform of a Cadet, 1856/57, National Gallery of Art, Washington, D.C.
1895 circa 
After the bath, woman drying herself Edgar Degas - 1884/1886 
"After the Bath, Woman with a Towel," pastel on blue-gray wove paper, 27
7/8 in. x 22 9/16 in., by the French artist Edgar Degas. Harvard Art
Museum/Fogg Museum, gift of Mrs. J. Montgomery. Courtesy of the
President and Fellows of Harvard College. between circa 1893 and circa 1897 
Après le bain (Solothurn) - Fondation Dübi-Müller 
between circa 1882 and circa 1885 EDGAR DEGAS 1834
At the Café-Concert: The Song of the Dog, 1875–1877
A Cotton Office in New Orleans, 1873
A esposa de Candaules
At the Café-Concert: The Song of the Dog, 1875–1877 
At the Races, 1877–1880, oil on canvas, Musée d'Orsay, Paris
Ballet Rehearsal, 1873, The Fogg Art Museum, Cambridge, Massachusetts
Before the Race, 1882–1884, oil on panel, The Walters Art Museum, Baltimore
Dancer Moving Forward, Arms Raised
c. 1882–1895
Cast posthumously 1919–1926
Bronze
Solomon R. Guggenheim Museum
Thannhauser Galleries
New York City
Dancer with a Bouquet of Flowers (Star of the Ballet) (also with ballerina Rosita Mauri), 1878
Dancers, 1900, Princeton University Art Museum 
Dancers at the Bar, 1888, The Phillips Collection, Washington, D.C.
At the Races, 1877–1880, oil on canvas, Musée d'Orsay, Paris
Ballet Rehearsal, 1873, The Fogg Art Museum, Cambridge, Massachusetts
Before the Race, 1882–1884, oil on panel, The Walters Art Museum, Baltimore
Dancer Moving Forward, Arms Raised
c. 1882–1895
Cast posthumously 1919–1926
Bronze
Solomon R. Guggenheim Museum
Thannhauser Galleries
New York City
Dancer with a Bouquet of Flowers (Star of the Ballet) (also with ballerina Rosita Mauri), 1878
Dancers at the Bar, 1888, The Phillips Collection, Washington, D.C.
Edgar Degas self portrait 1855
Courtesy of the Musée d'Orsay, Paris.
Edgar Degas, Self-Portrait, c. 1855. Red chalk on laid paper; 31 x 23.3 cm (12 3/16 x 9 3/16 in.) National Gallery of Art, Washington.
Edgar Germain Hilaire Degas 1884
Edgar Germain Hilaire Degas 1885 ca.
Edgar Germain Hilaire Degas 1885 ca.
Edgar Germain Hilaire Degas 1886 ca. 
Edgar Germain Hilaire Degas 1886 ca.
Edgar Germain Hilaire Degas 1886 ca.
Edgar Germain Hilaire Degas 1886 ca. 
Edgar Germain Hilaire Degas 1887 ca. 
Edgar Germain Hilaire Degas 1890 ca.
Edgar Germain Hilaire Degas 1887 ca.
Edgar Germain Hilaire Degas 1890 ca.
Édouard Manet and Mme. Manet, 1868–1869, Kitakyushu Municipal Museum of Art, Japan
1903 circa
1895 circa
Édouard Manet and Mme. Manet, 1868–1869, Kitakyushu Municipal Museum of Art, Japan
Fin d'Arabesque, with ballerina Rosita Mauri, 1877, Musée d'Orsay
Frau sich die Haare kämmend - Edgar Germain Hilaire Degas ca. 1888–90
Fin d'Arabesque, with ballerina Rosita Mauri, 1877, Musée d'Orsay
Frau sich die Haare kämmend - Edgar Germain Hilaire Degas ca. 1888–90
James-Jacques-Joseph Tissot (1836–1902), 1867, Metropolitan Museum of Art, New York City
James-Jacques-Joseph Tissot (1836–1902), 1867, Metropolitan Museum of Art, New York City
L'Absinthe, 1876, oil on canvas
c. 1883 - 1898
Little Dancer Aged Fourteen, 1878–1881, National Gallery of Art
Little Dancer of Fourteen Years
Cast posthumously in 1922 from a mixed-media sculpture modeled
c. 1879–1880
Bronze
Partly tinted, with cotton skirt and satin hair ribbon, on a wooden base
Metropolitan Museum of Art
New York City
Male Nude, 1856, oil on canvas, Metropolitan Museum of Art, New York City
Musicians in the Orchestra, 1872, oil on canvas
Nude woman combing her hair
Brooklyn Museum
L'Absinthe, 1876, oil on canvas
Little Dancer of Fourteen Years
Cast posthumously in 1922 from a mixed-media sculpture modeled
c. 1879–1880
Bronze
Partly tinted, with cotton skirt and satin hair ribbon, on a wooden base
Metropolitan Museum of Art
New York City
Male Nude, 1856, oil on canvas, Metropolitan Museum of Art, New York City
Nude woman combing her hair
Place de la Concorde, 1875, oil on canvas, Hermitage Museum, St. Petersburg
Portrait of Henri Michel-Lévy, 1878, Calouste Gulbenkian Museum
Portrait of Mlle. Hortense Valpinçon, c. 1871, Minneapolis Institute of Art 
Rehearsal on Stage, 1874, Musée d'Orsay, Paris
Seated Woman, Wiping Her Left Side
c. 1896–1911
Cast posthumously 1919–1926
Bronze
Solomon R. Guggenheim Museum
Thannhauser Galleries
New York City 
circa 1902Brooklyn Museum
Self-portrait (photograph), c. 1895
Photographic
self-portrait by Edgar Degas, the French painter, gelatin silver print.
4 11/16 in. x 6 9/16 in. Harvard Art Museum/Fogg Museum, Richard and
Ronay Menschel Fund for the Acquisition of Photographs. Courtesy of the
President and Fellows of Harvard College.
Stage Rehearsal, 1878–1879, The Metropolitan Museum of Art, New York City
Place de la Concorde, 1875, oil on canvas, Hermitage Museum, St. PetersburgPortrait of Henri Michel-Lévy, 1878, Calouste Gulbenkian Museum
Rehearsal on Stage, 1874, Musée d'Orsay, Paris
Photographic self-portrait by Edgar Degas, the French painter, gelatin silver print. 4 11/16 in. x 6 9/16 in. Harvard Art Museum/Fogg Museum, Richard and Ronay Menschel Fund for the Acquisition of Photographs. Courtesy of the President and Fellows of Harvard College.
Stage Rehearsal, 1878–1879, The Metropolitan Museum of Art, New York City
The
acrobat Miss La La caused a sensation when she performed at the Cirque
Fernando in Paris. Here she is shown suspended from the rafters of the
circus dome by a rope clenched between her teeth.
Degas sought out such striking modern subjects, concentrating on figures
in arresting poses. In January 1879 he make a series of drawings at the
Cirque Fernando including a pastel study of Miss La La (London, Tate
Gallery), which culminated in this painting. We view the spectacle as
the audience would have done, gazing up at the daring feat taking place
above.
The Amateur, 1866, The Metropolitan Museum of Art, New York City 
The
acrobat Miss La La caused a sensation when she performed at the Cirque
Fernando in Paris. Here she is shown suspended from the rafters of the
circus dome by a rope clenched between her teeth.
Degas sought out such striking modern subjects, concentrating on figures
in arresting poses. In January 1879 he make a series of drawings at the
Cirque Fernando including a pastel study of Miss La La (London, Tate
Gallery), which culminated in this painting. We view the spectacle as
the audience would have done, gazing up at the daring feat taking place
above.
The Bellelli Family, 1858–1867, Musée d'Orsay, Paris
The Bellelli Family, 1858–1867, Musée d'Orsay, Paris
The Dance Class (La Classe de Danse), 1873–1876, oil on canvas
The Dancing Class, 1871, The Metropolitan Museum of Art, New York City
The Millinery Shop, 1885, The Art Institute of Chicago 
The Singer with the Glove, 1878, The Fogg Art Museum, Cambridge, Massachusetts
The Spanish Dance
c. 1885
Cast posthumously in 1921
Bronze
46.3 × 14.3 cm
Ackland Art Museum
Chapel Hill, North Carolina 
Three Dancers in Yellow Skirts, c. 1891, oil on canvas, The Detroit Institute of Arts
Waiting, pastel on paper, 1880–1882
Edgar Degas - tra il 1900 e il 1905 circa 
Woman combing her hair
Woman in Street Clothes, Portrait of Ellen Andrée, 1879, pastel on paper
Young Spartans Exercising, c. 1860–1862, National Gallery, London
The Dance Class (La Classe de Danse), 1873–1876, oil on canvas
The Dancing Class, 1871, The Metropolitan Museum of Art, New York City
Three Dancers in Yellow Skirts, c. 1891, oil on canvas, The Detroit Institute of Arts
Waiting, pastel on paper, 1880–1882
Woman combing her hair
Woman in Street Clothes, Portrait of Ellen Andrée, 1879, pastel on paper
Young Spartans Exercising, c. 1860–1862, National Gallery, London0
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