Abstractiont of the Word "Qatar" (1967)
Jassim Zaini è un artista del Qatar.
E 'stato uno dei pochi artisti che hanno assistito e documentato l'intensa trasformazione sociale ed economica del Qatar negli anni Cinquanta e Sessanta, dopo la scoperta del petrolio.
E 'stato uno dei pochi artisti che hanno assistito e documentato l'intensa trasformazione sociale ed economica del Qatar negli anni Cinquanta e Sessanta, dopo la scoperta del petrolio.
(Jassim Zaini, The Bicycle Passenger, c. 1960) The Mathaf Arab Museum of Modern Art in Doha, Qatar
Features from Qatar (1973)
An oil painting by Jassim Zaini titled, "The Narjeela (Water Pipe)" from 1974 is shown.
Works by Qatari artist Wafika Sultan
Works by Qatari Artist Yousef Ahmed
Works by Qatari Artist Salman Al Malik
Works by Qatari Artist Amal Al Aathem
Ismail Azzam: the portraits of eight Qatari artists
Works by Qatari artist Moudhi Al Hajri
Works by Qatari artist Ebtissam Al Saffar
Works by Qatari artist Hessa Kalla
Works by Qatari Artist Faraj Daham
Works by Qatari artist Lulu M
work of Qatari artist Abdulwahed Al-Mawlawi 
Chantelle d'Mello / Doha News
Art installation at Qatar Academy 
One of Qatar's most promising young artists: Bouthayna Al Muftah
This Qatari artist is ‘beautifying what is old and abandoned’
Doha: Qatar has got its own ‘Banksy’ who has taken the task of spray-painting the old and abandoned walls and streets with his magnanimous artworks.
Mubarak Al Malik’s graffiti work can be seen on numerous abandoned buildings and yards around the country, including some private buildings and farms.
In many countries graffiti art is considered a notorious form of art mainly to criticise the government.
But Al Malik believes his art is serving a different purpose altogether: Beautifying what is old and abandoned.
One of Qatar's most promising young artists: Bouthayna Al Muftah 
Mubarak Al Malik’s graffiti work can be seen on numerous abandoned buildings and yards around the country, including some private buildings and farms.
In many countries graffiti art is considered a notorious form of art mainly to criticise the government.
But Al Malik believes his art is serving a different purpose altogether: Beautifying what is old and abandoned.
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